Dramatic Engagement of Nigeria’s Postcoloniality in Yoruba Classical Movies: A Case Study of ṢAWOROIDȨ (Brass Bell)

Abstract

Classical theatrical performances as opposed to what obtains in contemporary Nigeria are complex cultural products influenced by the dynamism and complexities of their immediate society. They do not just passively entertain but actively engages the society, thus fulfilling the ultimate aim of championing utopianism in line with global best practices. They are products of history and they remain relevant for posterity. In Nigeria, Yoruba classical theatrical performances and movies play a leading role in this respect. These performances do not only capture history but polemicizes the society against a repetition of similar historical pitfalls. This is the crux of this research in which dramatic engagement of Nigeria’s postcoloniality is in focus. The paper argues that these classical theatrical cum dramatic endeavors which inter alia are aimed at a revaluation of the past take their bearings from history in a bid to adequately understand and address contemporary challenges of nationhood in Nigeria. It concludes that these classics champion the discourse towards an eventual realization of the much desired utopianism in Nigeria as against prevailing subtopian and neocolonial tendencies. This is the focus that contemporary filmic endeavors must key into if this aspect of literature will remain relevant in Nigeria.